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Prairie Girl

Poem Palette: Napkin notes from an embryonic poem flash: 1989


Angel-air
Umber stair
Oh how your hair blows about
Gold cascade of cirrus wisp …
Wind and wheat, Pewter heat
Hot old oak, corn and oat
Stuff of twine, stuff of air
Wind and hay
Are blended there.




and what it became…

1990 Prairie Girl:



In Oklahoma, oak trees keep their leaves
(Albeit that they look like mud)
through the stripping winter blast,
even to the time when Red Bud bud.


So, when all the leaves that will fall - fall
Into the bags we’ve placed to catch 'em,
We flee, to a land of wafting umber,
Under the wild sky
Where light, and line, and twine emerge
In a surge of tall grass habitat.


Twenty miles west of town,
We round the river bend and then
exit, “S”ing upward
into Prue, through these hills of calico –
Oh! What variety of brown.


Down a copper canyon
Up a chocolate hill,
Allemande left to the Cinnamon hill.
Bow to your partner, kiss her cheek,
Park the car and let wind speak!


--
The sweep before our eyes is
all staccato, shredded wheat--
the stuff of cereal
ethereal,
with toast...
an undulating ocean
made of wooden grass;


The waves go out like weaving rain,
We hear the crash of distant surf --
Or sometimes – with the heavy wind
The sound of padded bamboo clicking,
Every thing is moving but
the stalwart rocks
or blackened remnants of hardwood trees, strewn Bold
like cracks on the sky.


The day goes late
With wash of rye, marmalade and gold


And Kerry looks o’r the prairie
Her hair washing back
Like these heavenly weeds.



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the Cry


The Cry – A plea to God from the Journal of the Kirk (1987)


Today I think of myself as Adam. What would he look like? For some reason I have always thought of him looking like me – but a whole lot better. Or something like what I will look like in the New WORLD. He, or I – Look like a kind of Robin Hood or Viking Lord. We are muscled and stand tall with rounded chest and washboard abs, and when we laugh the cedars shake. My face is ruddy with sun and my beard big-red. I saunter with hair all over and look like some Viking Lord apart from clothes and wild with sun and sand and salt. I behold my bride. Does she look something like the woman that I should marry? I see her with my minds eye. I don’t see her so much as Anglo. After all, we should in time need to spin out skin as dark as midnight tar, or skin white like porcelain. I see her somewhat olive, eyes leaning brown and hair a redded-black, kinked a bit but flowing. Maybe she has a nose that is sharp and thin like some of the women from India, or maybe it is broad and Polynesian. Maybe she looks like a black Mariah Carey! Her eyes are big like cows eyes – How is that for a description? It reminds me of the time at Booker T. (my Tulsa High School) when we closed out our senior year with a description of the perfect woman. She would parts of all the different popular girls at school… She had Natasha’s nose or Heather’s eyes, or Yo-Yo’s legs. Of course by the time we mixed all the parts, not to mention hues, the thing created would be quite peculiar.

So I consider my Eve. Her breasts are full of life and she has more weight on her than our gaunt models. Her hips are wide … but Dear, I pay my respect to those Victorian vices; Her waist is small—or maybe not. Perhaps her belly pours like a belly dancer or the woman of the Song of Songs, all round like a goblet. It still think those Old World painters and folks in India have something on us. She laughs and grins and looks like she should pull out of the water with dripping …

Oh when, WHEN will I have a bride?

She doesn't need to look like this thing. That woman has vanished and filtered out. And maybe even faded in her force with the Fall.

On one level I am amazed that we continue on any level to be handsome or beautiful at all. The Fall has marred us, not only in our souls, but I imagine in our genetic profile. Even so, I marvel at Eve – poured out in Irish queens with pale milk skin and red hair and long with freckle … Or I consider skin as dark as night with teeth that shine like the new moon. A shadow waiting to infold me.. So – What will it be? Will I marry a woman who looks like me, or stands against my skin with another kind of loveliness. Will her hair fan up and out like coral, or cascade down like a cataract? Will the grace of her skin and form be fragile and oriental, or will her stature be firm and heavy, even Germanic. What is this thing in me that is continually moved by Beauty? I want to poses it. I don’t always want to live in these dreams of holding. When will I hold real flesh, or feel her curl with her warmth into me.

Dear God… You know this longing of my soul. I so want to be married. I’ve given You so much latitude. HA! Call her from any race or culture. But then, where do I belong? I can’t even figure to what world I belong. So, will my bride where a covering, or will I myself where the jacket and the hat?


---

Addendum:  During my twenties I was much taken by (or unsettled by) the teachings of the Old Order Mennonites, a Christian sect known for their radical simplicity.  I wrested with "renouncing all" and joining them.   Hence the reference to the "jacket and the hat."

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Prairie Girl




Poem Palette: Napkin notes from an embryonic poem flash: 1989

Angel-air
Umber stair
Oh how your hair blows about
Gold cascade of cirrus wisp …
Wind and wheat, Pewter heat
Hot old oak, corn and oat
Stuff of twine, stuff of air
Wind and hay
Are blended there.
and what it became…

1990 Prairie Girl:



In Oklahoma, oak trees keep their leaves
(Albeit that they look like mud)
through the stripping winter blast,
even to the time when Red Bud bud.

So, when all the leaves that will fall - fall
Into the bags we’ve placed to catch 'em,
We flee, to a land of wafting umber,
Under the wild sky
Where light, and line, and twine emerge
In a surge of tall grass habitat.

Twenty miles west of town,
We round the river bend and then
exit, “S”ing upward
into Prue, through these hills of calico –
Oh! What variety of brown.

Down a copper canyon
Up a chocolate hill,
Allemande left to the Cinnamon hill.
Bow to your partner, kiss her cheek,
Park the car and let wind speak!

--
The sweep before our eyes is
all staccato, shredded wheat--
the stuff of cereal
ethereal,
with toast...
an undulating ocean
made of wooden grass;

The waves go out like weaving rain,
We hear the crash of distant surf --
Or sometimes – with the heavy wind
The sound of padded bamboo clicking,
Every thing is moving but
the stalwart rocks
or blackened remnants of hardwood trees, strewn Bold
like cracks on the sky.

The day goes late
With wash of rye, marmalade and gold

And Kerry looks o’r the prairie
Her hair washing back
Like these heavenly weeds.





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Pearl



Note: This note reads absolutely corny and is fully embarrassing… which is just the way young love is supposed to sound. I wrote it to my Kerry about five months before our engagement; The inspiration—our nightly walks around the block. In fact, I first knew she would be my wife while on a small-group backpacking trip just a month before. We walked up the trail alone and at night with a huge full moon spread out over a high mountain vista in Rocky Mountain National Park. Some million stars, and a sounding stream, and the distant bugling elk joined us as we joined to pray for God’s hand in our future.


Oct 16, 1988 Sunday 6A.M.



My Dearling Kerry,
 
 
How is it that you wear the pearl of night so well? You have, already in our short but saturated weeks, worn the wash of a dozen nights in ways that astonish my senses. Indeed, I think he made the moon and your hair to exist in a somewhat symbiotic relationship. Both thrive off of one another.
Kerry, I love your eyes by night. I think he made the stars, or even the bright city bounce, for them. You catch and blend this light so well and shine it back and me in a soft warm silver glow.
I love you so.
Kirk

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Kerry Kinetic


Kerry Kinetic

Mobile Art: in honor of Kerry K. now Kerry J. – yea! 1990

Kerry kinetic
Of lip and eye
With a spandex brow
And liquid sigh,
Do you really feel so deep
Or somewhat amplify
Each welling of emote?


We note that you are beautiful,
Even statuesque
But when you bend that skin of yours
You quickly put to rest
The thought
That you should ever rightly be
Chiseled into stone or bone.
metal or hard plastic,


No,
your depiction calls
for mobile art
Tethered with elastic
Or better yet
A concept work:


Try --
A silly-Putty
Aphrodite, in her nightie
chewing gum
And tripping from the shell.


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A Poem to My Wife


A Poem to my wife in which I remember 
(Part one) 4-6/2001


* this is a slightly edited version of the original in keeping with a public forum.  I have also chosen to hold parts 2-4 for another time. 

Kand%20KUntitled-1.jpg
1989.  Tall Grass Praire near Prue OK, where I asked you to be my wife.

Remember
how it was when we sped away
bandits in a get away - into a red-neck traffic jam,
all those laughing groomsmen
GOONSMEN! boxing us in, and forcing us to low ride
in a lurch parade
the tank
near on empty, even then.


As it is, Dennis
that righteous menace,
wired a horn
to our brake light.
We grinned and bore
the din and stare, hoping everyone would see
the streaming silly paper and the shaving cream
We were good sports too:
We smacked lip, as strangers turned
first to frown, then to smile.
We honked our way into
each red light or curve
riding fumes to the station.


Remember those few awkward hours,
just before a dinner invitation for our evening.
(too few for breaking boundaries –
too many for our new permission.)
Silly me - I'd agreed to appease my
step-dad with a slide show of my travels
meant I guess, to impress our out of town guests.


Time that should have been ours
to talk, touch, or pray
whittled away against all these pictures
of a past life…
and a freedom I would never see again.


Later … when some guests
felt awkward for us and the pining hours
they pushed us out
into the unknown air;
My new apartment, with the new sheets
dressed for us.


And now … what to do?
We were tired to the bone.
Months of planning with a week of cram.
Big swirling wedding. Big swirling day.
Moments that would blur among the smiles
and the guests and cake
only to be made alive
with photos.
(I know now why they take them --
Not so much to remember,
but to believe
that anything happened at all.)
So we arrived -
wed, licensed, and approved
to cross the threshold.


For a moment I faltered … May be we should go to sleep
I mean, really sleep.
We had waited decades, why not wait another night.
But you knew … some rituals
are not for breaking
so you sent me away, for the moment.
In a moment we would pray;
Invite God to join us in the unknown
and the years ahead.
And I laid my head on you
and fell into the crest
of my world’s softest wave.


Selah


And you,
who were
my Kerry, like your name - a high green meadow --
or …like a hidden island off the coast of Wales ..
all rustic and wild ….


We, tame Baptist or Presbyterian boys that we were,
Had spied your ramparts, draped under fog
But no boat had ever pressed your shore.
You called the wind aside, and bid me dock
I walked the Rolling hills, and Heather,
I felt my way along the path
of a sturdy land
that you had saved for me.


--------


Remember,
that next day
when we joined
a clang of happy vultures at the table.


Our families had a legacy and recipe to guard,
we tried not to smile when they asked:
"So you like being married?"


(And we did.)


Remember
how it was, in that first week or month--
all these forever first-time things,
in an avalanche of newness.
It was kind of like being born, and seeing it.
Indeed, if something's going to be new …
Why not make it everything.


First time sheets
and first time dishes
first time popcorn popper
first time lead crystal things that I just don’t get, even now.
first time to ever check into a motel and say …
“This is my wife”, and smile at the clerk.
First time shopping (would it have been our last!)
First time to hear, What is wrong with men anyway?
First time ever to come home to a candle-lit meal
after having eaten two cheese burgers
out of single habit.
Etc.


Remember, (Yes!)
the Honeymoon - two weeks of Westward Ho!
You sat with me so close
in something like a constant swoon.
Believe it --- you did.


Remember too
that small Texas Town--
We never really saw it, but I stood, like a Japanese tourist
under the interstate sign to GROOM.


Remember, trying to save bucks
in Austin, found the low-rent run of motels
left over from the great depression.
A quick whiff of curry and the sight of cigarette burned veneer
sent us off to better things.


Remember the concrete Tepees
and the way that the ground became all wide and hot
like something wide and hot.


Remember too
the Arizona blue
that dropped into that grand vermilion absence.
Some millions joined us on the rim
but when we slid beneath the skin
with backpacks, He could have dug it just for us;
this weird inverted mountain, like a garden
hidden in the moon.


As it is, you read somewhere that one should take
a gallon of water for every back country mile,
so I portaged in a bathtub, while little old men
in tennis shoes
went whizzing down, then up -- as we lay panting on the trail
and I tried to think of written lines that went with
dying at the Pre-Cambrian.


Remember
how much harder, is the Up, than down,
and how we stumbled out near after dark
like we had been in rodeo – all bruised at the bone
and walking in our sleep,
but (Ha!)


Not even that could stop young love!
Remember our next days --
We headed north into the land of Utah
where everyone should feel
religiously weird.
This place gets strange, the Grand is grand, but this
our cosmic treat … three cheers for all the folks who keep
Zion National Park something of a national secret.


Indeed, do you remember the flanks of Zion:
monoliths of muscle red, set like teeth in a ruby jaw.
We saw the lines of our topo-map converged
in vertigo --
sheer black
We saw,
the hills crack open – up and under
like and apple pulled apart
then pushed
We camped with cramps upon
a saddle
set atop a fertile precipice
of lunge and vibrant greens,
streams of weathered rock
cascading down like rusted trees.


At night, we stood above a
moon lit plunge where pines
grew like “j’s from the walls
and we looked down on
eagles.


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Anchored


Anchored: a Mid-love life poem to my wife. 8/01
For Christians, the reason why it is ordinarily assumed that a marriage will go on "till death do us part" has been that this advanced lesson in Charity which marriage opens into is a long, a difficult one, and the life span that my spouse and I are allowed will certainly not be nearly long enough to finish the lesson . . . I will have as much as I can do to learn this advanced lesson well with one other person; a harem will only confuse my efforts.              
Thomas Howard: Hallowed be This House



We have crossed the border of our fine humid state,
and tasted bluer air.


We have traveled on vacation into sights
that fill our minds with dreamy things:
Rocks streaming overhead like jump-ropes,
high vista sweeps and white water plunge --


Only to ask: WHAT in the WORLD are we doing
plugging away in Arkansas ,
even with its green moldy hills,
and soft curved streams
I’ve got this job, but even that could fade –
Family is far away, and nothing short of
Caesar making taxes on the whole blue world,
could ever drive us to a single place.


Most of us have gone
searching for some kid-hood home ..
and found a house instead.


Yea babe – you admit it quick, were displaced,
And looking for that final hearth.


But here, here in the heartland, beside you
I find my one unmoved geography.


These lips have kissed your lips until
I could pick you at the kiss contest, blindfolded, with a single touch.
I know the weight and distribution of your body –
The hills and dales and cutaways; And though we won’t ask me
to find you in some contest …
this landscape matches with my dreams.


Sure the scenery changes … ever slow,
You decry erosion,
Or the shifting shore line –
But these rocks beneath the silt
are firm, and no continent is lost
to the changing tide.


There is a riddle to this union
bigger than us both -- Haven’t we both asked:
How in the world did we ever get married?
or even,
Must I be in this forever?


We are:
Kirk the Jerk, and Kerry Jean
Who would lick our platters clean, should
we ever share the plate;


We are:
Two different eyes, in two different heads, with
Two different thoughts about most everything.


We are:
Flex vs. Stiff
Flow vs. Shove.
Chaos vs. Discipline.
Tomorrow vs NOW!
Good-intention vs. Accomplishment.


Thanks babe. I needed you.


Then there is that matter
of being known
It’s taken many years –
to carve ME in your soul – and I don’t think
that I could find my heart
in the eyes
of a stare – that don’t look back
into mine, with knowing.


So .. let the advertisers bark;
I have made my mind
To keep my castle here
with us for eternity –


Until death do us part –

Wherever we might move.





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Marital Bliss Collage


marrital bliss collage

(A sample of some of my favorite verse celebrating sacred romance.)

Under his forming hands a Creature grew
Manlike but different sex, so lovely fair,
That what seemed fair in all the world seem’d now
Mean, or in her summ’d up, in her contained
And in her looks, from that time infused
Sweetness into my heart unfelt before,
And into all things from her Air inspir’d
The spirit of love and amorous delight.
She disappeared and left me dark, I wak’d
To find her, or forever to deplore
Her loss, and other pleasures all abjure
When out of hope, behold her not far off,
Such as I saw her in my dream adorn’d
With what all Earth or Heaven could bestow
To make her amiable: On she came
Led by her heav’nly maker, though unseen
And guided by His voice, nor uninform’d
Of nuptial Sanctity and marital Rights:
Grace was in all her steps, and Heav’n in her Eye
And every gesture dignity and love.
John Milton – Paradise Lost. (sliver)

In marriage, one of the deepest and most ethereal mysteries in all of life is demystified before our very eyes, For when we get married, love itself comes to live with us. That thing we have been chasing ever since we were old enough to believe (however naively) that it must or could be sought, has taken off all its cloths and stretched itself out on our very own bed, and announced that it is here to stay. Suddenly the thing we believed to be characterized above all else by its elusiveness turn out to be not elusive at all, but just the opposite. That which was unapproachable becomes that which cannot be got rid of. What was most glamorous and exciting seems to insist, now, on being the most ordinary thing in the world. It is like the philosophical question about the dog chasing the car, which is—What happens if he catches it. Marriage faces us squarely with the problem of love once we have finally caught it. Or rather, once it has caught us. For marriage is a trap of pure love. (Mike Mason – the Mystery of Marriage -One of the top ten books in the history of the world)

On getting hooked , or--Real title: Bait (an excerpt)

Let others freeze with angling reeds,

And cut their legs with shells and weeds,

Or treacherously poor fish beset,

With stangling snare, or windowy net.

Let coarse bold hands from slim nest

The bedded fish in banks out-wrest

Or curious traitors, sleeve-silk flies

Bewitched poor fishes wandering eyes.

For thou, thou need’st no such deceit,

For thou thyself art thine own bait;

That fish, that is not catch’d thereby

Alas! Is wiser far than I.

John Donne

I want to lay your body down

And make this earth our bed

Pull the flax and tangerine

Up over our heads.

Or maybe winter’s just like me

With “bitter patience” and restraint

Waiting for some perfect moment

To throw off all restraint.

Jan Krist Lyric from “Waiting for the Cosmic shoe to fall”

Album: Outposts of the Counter Culture.


Sun rises and we talk about the weather
Sun bleaches and we ponder it all
The fine line between the banker and the debtor --
And what happens if the satellites fall
Too shy we are to come right out and say it
Too sly to let the other one know
Head full of this kaleidoscope of brain-freight
Heart full of something simple and slow
Love is not the only thing
It's the best thing
Love is never everything
But it's the best thing
Let's go up on the roof beneath the neon
Pretend we're foreigners and drink the city in
Somewhere between the stairwell and the starlight
I find myself holding your hand
Half-cousins to the angels and the demons
Half-brother to the fatherless sons
I lay awake and wonder at the reasons
One kiss and I am lost in your charms
Mark Heard (From the Album Satellite Sky -- The third finest album in the history of the world.)

There are three things that are too wonderful for me

Yea four that I know not:

The way of an eagle in the sky

The way of a serpent on a rock

The way of the ship in the midst of the sea

And the way of a man with a maiden

(Agur, Book of Proverbs 30: 18-19)


He is the way,
Follow Him through the Land of Unlikeness;
You will see rare beasts, and have unique
adventures.
He is the Truth
Seek Him in the Kingdom of Anxiety;
You will come to a great city that has
expected your return for years.
He is the Life
Love Him in the world of Flesh;
And at your marriage all its occasions shall
dance for joy.
W.H. Auden
Thigpen’s Wedding:

Here I set my face unto you,

Here I speak my hearts true vow

Here I choose to walk beside you

loving only you, my heart speaks true

forever more from now

I will love you in the morning

and in the bright noon day.

I will love you in the even’.

Every day I live, my heart I’ll give.

I will love you from my grave.

I have heard God in your laughter

I have seen Him on you face

and its clear now what He’s after

for He wrote your name on my heart

in flame.

It’s a wound I’ll not erase.

We will mount the wings of morning

We will fly before the wind

We will dwell within the mystery

of the glories of Jehovah’s love

a circle without end.

We will pitch our tents toward Zion

in the Shadow of His Love

We will covenant between us.

We will covenant with the earth below

and with heaven up above.

We will covenant with the dust below

and the Spirit up above.


Kemper Crabb, from the album the Vigil

written for the Thigpen’s but borrowed for the wedding of Kirk and Kerry Jordan
(Thanks Kemper--hope we didn’t break the law)


And Adam
knew his wife…
Getting to know you, getting to know all about you …
(Song fragment, My Fair Lady)

Flowers and Guns


Note: This essay is part of a much larger writing (fully featured in “Bones in My Soul”) in which I turn a poet’s eye on each of the major body systems.



What is man, that You are mindful of him, You have made him a little lower than the angels… David, Psalm 8:4-5

We are the insect life of Paradise - Bruce Cockburn.

When I was a kid, mom and dad gave me a “visible man” and a “visible woman” model--- Each a clear plastic likeness of the human form, about a foot high, used to teach us about the various organ systems. Some boys may have had pinups on their walls, but I was the only boy on my block with a stark naked woman in my room- complete with a detachable belly that could be traded for a baby-bearing belly and scrunched intestines..



Final Final thought.

Believe me, when you get to be my age – You’ll get that monkey off your back – and then, there you are like a brain in a jar . (Charles McGinn, Dad-in-law age 73)

Oops, I have a final, final meditation. I guess it was inevitable. After seeing folks as walking snakes, or wind, or a spray of electric coral -- I am today thinking of folks as walking reproductive systems. Funny, how we always put this one last. I remember it this way in high school. Our Bio text had all the systems, from cardiovascular to digestive pressed into plastic overlays. But the reproductive part never made our androgynous acetate wo-Man. He, or it, had a baseball cup for genitalia. Guess they didn't want to commit the entire thing to gender. On the other hand, there were at the back of the text those drawings we always turned to study with our eyes bent and secret. But no matter how fast we read, our teacher never seemed to get there. But we found them in the back, and wondered what the girls thought when they saw our wares all pictured and out in the open. As it is, their diagram never seemed as revealing.

The male reproductive system looked something like the outline of Manhattan with all the balls and bent thing and tubes. And then there was this woman thing. Not the thing we longed to see (the interface) but this odd bag looking thing with wings. Or something like a moose head with antlers.

Just how this inner-floating bag interfaced with the outer was the subject of much inner musing. We saw the diagrams, but the interface just didn't makes sense ----

So now I think of us today, with our varied systems poking out of or poking into the intersection of leg and belly. I see us as either walking guns -- or walking flowers. (Sounds like the source for a Rock-n-Roll band)

I read somewhere that the male system of sexuality is pretty rudimentary and "primitive." Essentially, a fill and release proposition. There is, of course, a little more than this. Creation of the fuel, temperature sensitive storage, pipelines and stuff, even a special agent for mixing and transporting the fuel, but mostly this. Men are something of a gas pump: Storage tanks, line, nozzle or ... (Oh dear … load, cock, and fire. Bang!)

So that's what we are--guns with eyes, and fire in our brain. Tanks filled and brimming - stretched - Oh, when does the pressure end!

And then, these women. A different system entirely. A different universe. No easy two-point opposite. -- And I read this somewhere from some woman who said it in a much nicer way …if men are two steps, women are seven. (( I'm searching for the article))

The extra steps come with the moon, the cycle of ovulation. I'm not sure if I've got the steps right.

There is the letting go of a planet that was kept in her womb from birth. There is the odyssey -- the journey of the planet down the tube. There is the anchor at the shore in a kelp of blood. There is the dining and the waiting and building of water like a dam. There is the waiting.

Each egg or planet ... like a princess waiting for her suitors. And with it, this new energy and sexed-up rev on the part of the host. Should the princess find her suitor, some wholly other kind of cycle sets in. If not, the princess gives up and goes --and with her, the whole bloody banquet feast, set like a dinner for a possible child. The dam-burst and the whole flotilla of bloody food and wash and planet is swept to sea.

I read somewhere else that each male is a throbbing tumor; each woman, an open wound.

And so, now, I think of each woman as something of a "U" turned upside down. They are like diving bells; we may see the outer, but up and under is a great void. The womb reaching in and up like a lifted balloon. The essence of womanhood wrapped around a hidden cave. A flower blooming inward…

I remember watching, some years ago, the formation of an apple. It started with a blossom -- some weird double-sexed outcrop. Stamen (the male part) surrounded a sticky pistol. Something like a tube attached to a bulb.

Down the neck of the tube were the waiting seeds. Following pollination, the flesh around the seeds began to swell and take on apple mass. In the first days of growth the blossom could still be seen on the outer edge, and what would become the bottom of the apple. In fact, if you look hard at the bottom an apple, you can still find remnants of the petal, or the very five-fold division of the flower.

So now, today, I think of women as flowers, but with the pistol built back and in -- with this most elaborate edifice. Instead of some petals or even apple flesh is this whole other flesh -- a flower that bursts out with the garnish of arms ... and head and hair ... and legs ... and teeth.

(Okay - I can see it with my mind, but maybe not describe it)

Today the women are walking -- each one, walking like a hidden flower -- each one, somewhere in the cycle of an elaborate dance. Some are wounded, or waiting, or building for the next trip. And it isn't just their bodies that go for the ride. If a man's brain is hot-wired to his testes, I think of a woman's reproductive self twined into her whole emotive self. It is in her mood, in her brain, in her eyebrow, in her gait, in her shout, in her coy, in her wink, in her chaotic thinking, in her striving, in her wanting. And when that mood goes bad -- Dear, these women are crazy, I think!

But not just then (at the time of her period). There is in this task of mothering that gets into their entire personality. Her balance is lower, her feet on the earth. She spies the ground and its terrors...her ears are spinning like radar, her countenance fierce with protecting against the enemy. And before her strut her breasts, like an ever-present testimony to feeding the human race.

As a male I am prone to latch onto these external fixtures of womanhood. I spy the curve, and wish for a moment to be a child tucked in the overhang ... to frolic in the lilies. But this -- these breasts and curves, and the washing of blood...and her fierce eyes - like a mother bear waiting to claw or maim if needed -- are welded onto her soul. Her sex is not just the outer, but the whole inner-sculpt.

So ….

Today I see the people walking ...some of them like spring-loaded traps or cocked guns -- horses straining at the bit -- the ever-building pressure -- storage tanks or draw bridges or erector sets. Or these, the walking wombs -- the fruited tubes, the swelling breasts, or the deep-welled flower -- the confusing blend of impulse -- the begging to fill the flower -- the wanting with the eyes for us to be like hummingbirds visiting the flowers -- a desire at once to be filled or to feed the planet, a desire to cast us away, a desire to kill all men, or lunge like a self-protecting blizzard.

Silly song: "Oh blizzards and guns - don't we have fun!"


The pistol of a flower is its only protection against insects. 
(Unknown kid quote)

That Kiss


VALENTINE’S 2002


(A poem to the wifee)


That Kiss could liberate some thunder-
add another number to the wonders of the world.
That kiss could wake a sleeping bear
or bare a sleeping wake(?)


That kiss could soften hearts of granite
or ...
populate a planet.

That kiss could tear titanium
that kiss could juvenate my cranium


That Kiss will make the great wall fall
That kiss will echo down the halls – of history
That Kiss would make the Amish fight
That Kiss would stir a starry night
That kiss would tickle Van Gough's ear
That kiss was better than two beers – ice cold,
after mowing the grass on a hot August day.


That Kiss would make ol’ Rodin think;
“Hey I could use another couple for that statue.”
That kiss could make a hula hoop
That kiss could cure the world of crupe


That kiss could make a grown man try--
teach old-dogs tricks or pigs to fly
That kiss forgot the Alamo
That kiss would make a short man grow


That kiss could elevate my status
That kiss could take us to the stratus
That Kiss could resurrect my thirst
That kiss exceeded liver wurst


That kiss was warm and chase and pure
That kiss was holy and demure
that Kiss was truly undefiled,
tender, moist, and somewhat wild.


That kiss could liberate Tibet
That kiss,
My Dear, was heaven sent.



that%20Kiss.jpg

Titan II - Of Whom


If I were asked…to what the singular prosperity and growing strength of that people (the Americans) ought mainly to be attributed, I should reply: To the superiority of their women.

Alex de Tocqueville.


I am the son of Titan women,
Born of water and of blood;
Born of Heaven’s will
and of the burning sod.


I am born of Terra
and of Sarah too,
a son of Adam, and
our “Father” Abraham, included
in the loins of faith.


I am the son
of strong STRONG women
and the sire of the same,
I have tasted fire,
and added to flame
of life.


Trace me back
and you will find
Irish maids and Cornish Lords,
scallywags and dumblewits,
pagans, saints, and tumbled hordes
mighty pillars, bloody swords,
and …a fire that burns back
to Eve.


--
I begin with Nana
not direct in Flesh and Blood
but sister in this ever branching tree,
and mother to the mother of my bride.
You were cut from stalwart cloth
and married to a man, who would cut
two continents apart,
and splice separated waters through
the Panama canal.


You bore humidity and insects
and the greater ravage of a man
who didn’t keep “one” home.
But through it all maintained
the strength that goes with inner dignity
and letting God consume the past.


You knew we disagreed
about some very basic things of faith,
(and science);
You held to a world, where pain
was but illusion. You shunned the world
of medicine (but lived long in you shunning)
even as you braced to bear “imaginary” pain.


But when it came to a life
lived in the spirit of Christian forgiveness
returning good for harm,
I honor your glory.


--
Then there is the Ami (Ahmee)
matron Saint of a small army,
Irish blood and New York bread.
You spoke in brogue and fingered Rosaries
even as the honor tumbled daily from your mouth
like a beautiful dripping faucet.


“Thanks be to God. Thanks be to God,” you said,
then
Startled the world with your maverick sayings:
I’d say “So”
You’d snap back: “Sew buttons on your underwear”
I’d say, “Sure, go ahead”
You’d reply, “Are you ready for Freddie – He’s the undertaker.”


As it is, you gave life to three -- titan women all
with the middlest my Mom;
They returned the favor
Catholic style, eighteen grandkids,
followed by so many more.
Oh, what memories I hold … the house, the smells,
the elegant clocks and beautiful glass -
Your hands tracing fragile cups or You, under the diving-bell curlers
and drinking coffee in high backed chairs…
Wild berries underneath the stairs,
Jesus standing with on the mantel with the open heart
and the painting in the basement (that I snuck off to see)
of Lilly-white women bathing in the lake.


You held on so long, so STRONG, after Delbert
your hansom, polio limping, hard working, depression schooled,
coin collecting, Protestant chauffer
of a husband left this world,
and now we feel your absence
like a hole in the world.


like love gone away.


Next I turn to two that I knew less,
One I never met, and one whom I regret to say
that I lost contact with through adolescent inwardness
and the fray of severed families.


Edith… Mother of the Father of my bride
I understand that you were quite the saint,
and Mother of the five McGinns;
Brothers who would score their marks
as teachers, farmers, warriors, and business men;
They wore the suits of several wars
and climbed ever so far in their own private citadels.


I never met you but I see your mark
in the vigor of the men you left behind,
Men who love their country
and their faith.



-----
Grace … Mother of my dad
and conduit for so much now that gives me life.
You were a woman of the earth. A shepherd,
and a Methodist; our first Republican,
respectable and Oh, so graceful
in your pearls and lean muscled frame.


I understand that you wore pants before the time
even as you worked to tame a wild land. And what a land it was.
accessible by riverboat and mule, but never car –
You portaged up the Snake
to my name’s sake – the Kirkwood ranch.


Would it be that I owe growing love of pen to you?


I see your books upon my shelf:
Home below Hells Canyon
Canyon Boy
Idaho Reader.


Later you would climb with Len
with hard work and integrity
to places fitting to your quiet strength:
wife of US senator -- First Lady of the state.


Now the River surges ever closer:
Jean Mc Mom – Mother of my bride
I hold no blood of yours, but tangled with it daily,
even as I see your mark
upon our children, and my Bride.


You look like a titan woman
so I hope you will not balk,
When I say, that with your Jeffersonian coif,
chiseled form
and resolute stride,
You could fit by Jefferson among the rocks,
granite eyes looking out across Black Hills.


We know
that you span worlds.
architect and boss, stellar graduate of Rice,
beauty queen of Panama and
married to the man who SWAM the thing --
former atheist, and now
Sunday school teacher at the Thomas Road Baptist Church.


I won’t tell’m that you dance
a mean Charleston, or that
you once met Charles at the door
with loaded gun.
Sure he was a pilot and an officer,
in a hellish war … but no letters or phone calls
for five months
and five kids in six years, left you frazzled.


You know, that we call you the loud family.
McDad is leaning deaf but still, it seems to fit
the force that goes with all things McGinn.


And see, how the spirit of Christ within
is taming you… not a broken horse
But tempered, strong, and with a quiet joy.


We thank you for your nightly prayers
and the way, you’ve endured your own silent pains.
How is it that when you listen, my wife feels heard?


But when I try the same … well,
it just isn’t the same.


And now, a pause
I know that it's a prejudice
born of being born to you, But when it comes to you
(or Momma Ellie as she goes)
I see a broken titan,
patched with gold.


A woman of rare and enduring beauty.


My first mental picture, photograph derived
shows a little girl with hand-tinted lips
and red brown hair. They say
You favored Dorothy, from the Wizard of Oz.
Or next, Audrey Hepburn in your senior picture.


Oh, what an image.
Gentle slope of a V-neck draped cross your shoulders,
elegant pearls and hair cut
daring short. Class mates would
remember the Knuckey girl, top of the class
and editor, with a cutting edge
and wild side.
Next mental picture shows you, just before you met my dad
breaking from the surf with scuba mask.
Thin cigarettes balanced on your lips, spooned hips
packaged in pencil leg jeans.


At eighteen you bought a one way ticket
AWAY From tradition and old church ways
to a California of convertibles and gold dust.
seagulls and stars.


Three years later you would wed
a young engineer and outdoorsman.
sturdy with a zest for life,
the music of the Kingston Trio
dancing in your heads.


I see you there
rushing from the pines of the Wayside chapel
up the ragged coast
to the boats and rivers,
to your own pizza business
two kids,
and a small farm
so rich in childhood memories.


Next mental picture has you asking me (age seven)
What ever do you mean “Are you saved?”


As it is, I’d gone to some kid-hood missionary campaign
replete with sword drills and flannel-graph epics;
We learned of Pilgrim and his burden
emptied at the cross; and though I had yet
to visit either the Vanity Fair or the Slough of Despond
I said “yes” to the Celestial City.


Some weeks later you did too.


Conversion, for you
was never like a shift in sentiments,
No – it was like the first day of creation.


And that light
has been your life
every waking day.
and night.


And what a night it’s been.


I hope you will not mind, If I skip the glory years
when you stood strong
as Mom and wife
or, as missionary to the street-crowd,
Carrie Nation for the cause of Modesty,
Healer of other folk’s marriages.


Nor do I think you’ll mind
if I skip the greater part of night
(Though, how long it lasts).
Two husbands down, and no one now to share
your dreams of aging into godly grace and ministry.


Distant children,
Distant dreams,
And distance
sometimes even for us.


You take your wine, right off the vine; I like mine with age.
You take your kingdom in the future, past apocalypse and caged
in a thousand years. I’ll take mine – right now, albeit slow and growing like a mighty tree throughout the earth until the final day, when heaven crashes through the walls.


You take your gospel southern,
I drink mine pure black.
and
You walk in the spirit of conviction …
about some things, of which we are not convinced.


But even with our differences…


You have born
the hard humility
of giving everything to Jesus
Only to have him take your offer.


Dignity – His.
Family – His
Pleasure in the present – His.
All your hopes and dreams – His.
--


I see you now sometimes,
burdened down and grey
like a full-bodied version of Mini-Pearl
replete with Hawaiian drape-dress,
funky hat, and walker decked in ribbons.


I see you hitting the tambourine with streamers,
or doing the soft foot jig
before Baptists ever dreamed of such.


I see you (Oh this is funny)
Throwing litter back into the open window
of an offending motorist in a parking lot.
You say: “I think you lost this.”


I see you walking up to laughing black-men
dressed in suits and telling them how “gorgeous” they look.


I see you at the jail, or on the plane,
in the lanes and byways,
asking folks what they would say to God
if they met him tonight.


I see you walking into strip joints
past the surly hard-eyed stares,
and naked flesh to find
some gal who’d like to leave the life
but has to make a living.
And she’s thinking about Jesus.


I see you on your knees
every night, with sobs
like Monica weeping for her kids.


I see so many hearts,
now broken into, by the savior of the world.


I see a woman
Spit, chewed, and broken
like the fine Art of God.


I see some Titan, on
the other side of life
taller­­ than a Redwood.


I see one
of whom the world
was not worthy.

Humility


Hum i lity: 6/01

Sometimes I get jealous of other people and wish I were like them. I sometimes even wish everyone were the same, but one day I thought about my wish and decided it was a horribly stupid wish. On the school playground everyone would play the same thing. You couldn’t find your home because every house in the world would be the same. After I thought of all this destruction I liked myself more. I thought there is only one me and I am the only person who can be that person..
The Silly Wish – by Kayla Jordan (5th grade, school essay)


I have seen the naked lobes
of Pentecostal women at the Wal-Mart Store,
Their unadorned necks and broad foreheads
set, like polished alabaster
lifted lovely from the doilies.


I have seen a dog
radiant with pleasure
at the fact of my existence.


I have seen a shadow
tangle with my feet or fade;
He has stretched but never strayed.
We parted for some seconds once – on a high river bluff
I saw him emulate a diving swan,
But I pierced him
Like a bull’s-eye
on the water’s top.


Note:
I’ve never seen my shadow
Join the shadow of a bullet,
or that of a falling house.


(Selah.)


I have heard
A guitar fluoresce
In my ear,
Felt a flute flutter, dance, or curl
Like streamers
In my brain:


I have framed the moving
Ever evaporating earth
At least 36,000 times.
It goes with the job, and my love.


Indeed,
I have raised my glass at the sky;
Channeled particles and waves
Into my Nikon tele-porting--time catching
Space-mashing--memory enhancing –
light encoding – sun imploding
trap.


I have pressed
Fragile disappearing blossoms
Into the future,
placed huge mountains in a box
I have surveyed the tossed aftermath of pain,
and talked to a woman who rode
a funnel-cloud for two hundred feet.


I have stood at the top of the isle
Over four hundred times,
As some angel of a woman
gave her eyes to me
(flash)
And then her soon-to-be husband.


I have stood two feet away
From the most powerful man on earth --
No one in between.
He ignored me as I clicked –
I thought of leaping up and laying hands:
“Hey, I’m praying for you brother”
but I figure the guys in black
might misunderstand, and drop me on the spot.


Three hours later
I would photograph
The richest man in America;
He was shy and uncomfortable
Before my lens –
and I wondered how he knew
who were his friends.


Indeed,
I have photographed
The un-powerful, and un-rich;
A mass of un-shy children spilling
Like maniac pups into my wide angle-lens,
They stretched their septums forward
Into the glass like horses,
Rolling eyes and making faces,
Pushing me over, in the slums of Juarez.


I have also lived to photograph my children.
--


Could it really be that
I have seen three persons
Slip into the world --
bud and build like nimbus clouds
play and argue;
Move like ballerinas
in the living room to the booming
a two hundred dollar stereo.


I have tasted milk
From a hidden source.
I have felt the breasts
Of my beloved
Lap against my chest
Like the wake from a boat.
I have seen a woman
who once screamed:
“Don’t you ever say you love me” --
take my hand
and apologize for saying “damn.”


I have seen an encroaching kingdom
Building turrets in our hearts,
The grand physician
fixing broken history.


I have seen
The sun on the sky
Behind the fog
All clean and blonde
Like a compact disk


I have heard
whispers from another world.
I have eaten with the King of Kings.
I have talked to myself
And had a good conversation.


It is true:
I never asked to be born, but if I could
flicker into life for just one moment
in order to answer the question,
How in the world, would I
having tasted awareness
then refuse?


Could I – having been me,
ever wanted
to be anyone else?


I know my pains,
and mine have been enough to question
my continuance, once or twice …
but then, I don’t know yours, and
am not sure, that I could ever
take that risk …


So before I swap my life, for any other
I ask,
Would he come
with salvation or a camera;
Would he have a taste for small odd verses?
Would he come
with my same wife, or mom, or kids?


Would he have you
as friends?


(pause)


(Thank YOU, Thank You .... Thank You very much)



.
.
. 

Private Wound






God has pressed his finger
into my heart
parting resilient flesh,
the everlasting groom
making ready to display
his everlasting love.

.
.
.

The Best Poem I Ever Wrote

April 4, 2002
to Kerry, my beloved (12 years in)

I’ll break down, if that’s what it takes … I’ll be weak if it shows your strength … and I’ll be glad, at the end of the exchange if You are all that’s left.
         Maggie B, -- All that’s Left, from the extraordinary album “What Kind of Love”



It’s a strange thing,
launching landing-pads into the future,
for a rocket ship
still in the box.


Who were we
to say “I do”
having never done.
Who were we to know
that “for better or for worse”
might really mean the “worse”
and a little of the poorer.


Who were we to know
that we would need
every ounce of promise
(and some carnal pride)
to keep us through the nights
of hurricane and ice.
Who were we
to know, that we didn’t know
a thing of love
or the poverty of self.


Who were we
that we didn’t know,
that we could be
so damn-right selfish
or perverse.
Indeed, Who were we
to think we had it in us --
To shine, were other folks
had tripped,
or ripped in two.


But here we are
facing the descent -
together,
falling at a future
that we dreamed
would be our future from the start.
Could it be
that I have come to love
My Love.


Could it be
that we have tasted mercy.



. 

Jesu Joy


(2/2000)


When the meadows laugh with lively green, and the grasshopper laughs in the merry scene
When Marry and Susan and Emily, with their sweet round mouths sing “Ha, Ha, He”
(William Blake, Laughing song, excerpt)



I see the joy of Jesu shed
like water through
a shower head, or
better illustrated by
that funny fir-ball fountain on the square
where perforated tubes
jettison and spray
a fog of animated water.


I hear the joy of Jesu trilled
through living pores,
(a funny fir-ball planet laced with kids)
mouths bent back, like reaching birds
voices warped and breaking:
a conduit for living water.


A spear once split his side
but it would split with laughter …
If our world can not contain
the tally of His mighty works,
will all these mouths
of bitsy teeth, or parts
of snagle-lip and spit on the gums
be able to express his joy?


Here is the joy of Jesu:
One billion children
on the bounce
all laugh eyed and goofy.
Hop, skip, jump …
all rollicking and rolled,
fantastic hoots, irrational jokes
about stiff language:
"Do you love cake? Then you should marry it!"


Ha Ha hha ha ha ha.


Here is the joy of Jesu:
"I see you behind my hands," tap your shoulder
on the other side and run
or beg a chase around the Monkey bars:
Nana Nana na na they all sing:
The first universal sentence.


Here is the joy of Jesu:
Whistle din upon the dawn,
some trillion birds in pouring song,
blend monkeys and hyenas too
in one colossal laugh.


Here is the joy of Jesu
shining on, or through
a single face.
Anna's eyes are lifted up
all jolly with the tease.
She holds a toad toward my face
knowing it will make me squirm.


Here is the joy of Jesu:
Held in check, against he Hoover Dam
of present tense, or recent past;
For we esteemed Him smitten,
man of Sorrow, friend of grief.
Here is the Joy of Jesu
Veiled:


How should we feel
if in our sin
or varied acts of groping idiocy
we should here him laugh?


He knows the healing end
and the joke that is on us.


Here is the joy of Jesu
Squeezed Like a belly laugh
that will not hold:
A smile or a wink, a low
chuckle dressed as thunder
on the wind.


For, if we've seen his pleasure
pressed through these:
Mouths of babes
and barking pups and bear-kind on the roll...


How much more
will this joy be
when HE,
the maker of the giggle-flex
or adolescent squeal
steals the show, and splits the sky
with pent up righteous zeal.


Here is the Joy of Jesu:
Calling on His blushing bride.
He has hinted long enough
and now makes ready to display
His eternal tender love
with a Ha-Ha
Hallelujah.



. 

Why you will not read this book

or, Why most of you will never read this book.
From the journals of the Kirk - (November *1988)





I had an odd thought today. The birds are a swarm of peppercorn – long, like cirrus clouds or bunched long like floating Italian bread. Could these be the same birds that I’ve seen lift from the ground like little ball-clouds--all as one; They seem to be millions, traced by a membrane. They fly in unit, this time something like an undulating string of sausage. What kind of "brain" unites their flight – Who knows? I counted one bird-ribbon that must’ve taken ten minutes to pass. Maybe Tulsa is like a river-bed of bird flight …


Or could it be that if we saw our nation from above it would look like a damaged negative all scratched and spattered with bird stream. Deep grooves and gashes trailing north to south across the states.

This morning I lay on my back, and considered the birds as if underneath me, flying on their backs with bellies up. I lay on the ceiling of the world and saw the birds like swarming fish, deep within thin water. School after school of minnow-bird, all black in silhouette.

And then it struck me. I never saw a single bird!

In fact, what I took for bird, in flap and form, was really just where the sky failed to penetrate my eye. So what did I see?

All the sky not shaped like birds!

If I were to project a slide of some really black birds in flight against a screen, the black forms on that screen would result in those places where no light fell. If I were to take a picture of the birds in flight, only the light around the silhouette of birds in flight would strike the film. As the birds were absolute black, no light sped from their form into my eye or camera. No light from any bird (except maybe a glint on wing or something) ever shocked a film grain -- or the rod or cone field in my eye. And as no light ever fell – for that brief moment – on the film plain of my eye – no message poured down the optic nerve to the brain. In fact, each time that a bird-shaped void passed across my inner eye, that section of retina got a brief rest from the act of seeing. So what do black birds do? They provide quick rest for rod and cones!






Come to think of it, I’ve never read a word of type. As the black letters absorb light like a well and bounce none of it back at me (unless perhaps the ink is gray or has a gloss) no light from that letter ever stirs a cone to action. I only think that I am seeing the type, but I am really reading the white where the type is not. So all this staring at print is a sustained focus on peculiar shaped voids. And when we read a book, we really read everything but the book!




If by "night" means not to see,
and birds of darker-blacken be,
Does their flight impress the eye?
Or is it only sky,
fleeing from...
or rushing to their Void that does?




.
.

City






I saw IT
set below
on a velvet night,

like a sweep of burning liquid-crystal shard, or animated net:

A network of stunning amber Star-barns: 
Cages catching embers strewn 
on a mighty waffle press to make: 
A galaxy in 2-D grid, 
A micro-chip ablaze, or 

An even odder image of the inner earth aglow 

with row and ray of pinhole pierce,  

(Through the mantle deep) 

Light seeping upward from 

some vast neon smelter blasting underneath.



.
.

Big Mart


Be gentle with my mind

Oh Lord, for I am matter made

And matter born.


“BIG MART” 5/27/02



I was in the spirit on the Lord’s Day;
(Whether in my mind or out of it I can not tell.)

And I heard behind me, a voice
like the sound of many waters
rippin’ through
a tin kazoo …

“WaWa Wa Wa Wawa Woo”


And I saw before my eyes
a big and outstanding marvel:
Where once stood a forest
stood
a monolithic brick:


A city in a single form and dressed
in tincture of elephant and sky with garnish of red,
rising from a plain
of crushed obsidian.


And there before the mammoth wall,
a wetless sea, with tailess whales
circling the plain and searching for a place to rest.

Everywhere the oxidizing baskets
basking in between the whales.
Everywhere the streaming co-eds.


And I beheld two minimalistic-nods to art-deco:
Turrets strung above the gates and sporting signage:
“Always, Always”
hovering above twin falls.


Then, to my delight
the waters split
like a curtain pulled sideward,
and I saw, behind them a courtyard of the coarsest marble.

So I thought: What is the meaning of this crude stone?

Then a voice within my head replied: 
“This is rock of select-frictionchosen to protect owners of said city against law-suits should the people slip.”


And before I could, a voice outside my head replied:

Welcome to the Hall of Nations
Welcome to The Wood between the Worlds …
Welcome the Land where lives converge.
Welcome, Welcome, Welcome,
come and spend.

And Lo (and High)

I beheld grand and astonishing bedazzlements that no man can mention 
save me:


I saw the beautiful bones of walking peasants
and the pleasant pies.
I saw cream of star, arranged in bars and bathing
Game-boys and socks, and a roof
like the state of Kansas -spanning from the east-wind to the west.
I saw visages and vectors
slung like blades: pictures of the smiling Associates
wearing wears.
I saw cattle-cars of goods and goods,
and the floor in between
like a gleaming grid, all wet with dried shellac.



---

The time is Ten O’clock on Sunday night.

Who would have thought to shop right now?
But one of every two hundred students in our big
college town is prancing down the isles
in the mating dance of eyes
and buying files.

One of every 1000 families is buying milk
and hose for his wife
and pencils for his kids.
And one of every me
can hardly take another ounce of pleasure.




--

Then as I skipped
(reeling as I do, in the I-AM of being)
One, like a son of Sam said:
Come, follow me and I will show you what ye seek.
Behold, the splints of
aromatic cedar
griping graphite from Ceylon
and mixed with Mississippi clay …
and sprayed in school-bus golden.


And I lookedat him
as if he were an imbecile… to which he then replied:
“Have you ever read ‘I, Pencil’
you should.”




--

Then were my eyes were opened to
the mystery of commerce
and the many antecedents
swirling on, or about my feet.


Here, the shining vinyl
made of peat bog and wax, and the man who feeds his
face by making it to gleam.


Here, the waiting bubbles like a secret code, hid
in syrup from Nebraska, caged in a can from Alcoa.


Here, the tropic sun and silt
with caffeine kick, minted in Honduras.
Here the unseen trucks that course by night
to dump the living lobster
and the intricate outbursts
of the Japanese mind.


Here the masses from Malaysia,
China and Taiwan, bent across the polyester oil-fields
and cotton gins,
sowing seams
and clothing me in reams of labor
for an hour of my own.

Here the ground-up pigs on plates of foam,
and German brains, applied
to the beautiful gears.
Here the pulling on the teats of cows,
the purposed rot of milk, ...the graceful eggs.

Here, the chosen fonts
and art campaigns, athletes leaping from the boxes
to sell another flake.

Here (real time): The sons of Adam and the chicks of Eve,
weaving in and out of ears. Goateed men, pretending to like shopping
and the dames, with their gametes tucked inside, ready to
deliver new consumers.


Then did I behold (waiting with me in the chutes)
a multitude of kids, from every nation, tribe, and tongue:
Our baskets brimming in cilantro and the stuff
of every nation, tribe, and tongue;
Our lungs, twined in the air;
and I cried (with delight)

“Could this really be the Arkansas
that opposed integration?”
---

It stands in my mind
like a growing constant: things that are, are fed by many branches,
which in turn are fed by branches which in turn are fed by branches till
the only explanation for what is,
must never start with nothing

but with all.


Consider the power of the HAND,
and the infinite wisdom of the ONE
capable of chasing,
and igniting all loose ends,
then reduce and back away

'til….


Wal-Mart rises, 
not from any so called “bang”
but from The Big Condense.




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